This month, we dive into the ancient Sumerian pantheon with one of the oldest archetypes of the divine feminine. A precursor to deities such as Ishtar, Aphrodite, Venus, and the Virgin Mary, the figure of Inanna dates back to 3,000 BCE. Her image appears carved into ancient stone, and Sumerians laid out her mythology in numerous epic poems. Considered by some to be the first literary hero, the goddess Inanna has started claiming her well-deserved spot in the modern pagan pantheon.
Who is Inanna?
Inanna goes by several titles according to ancient texts, “Queen of Heaven” and “Inanna of the Evening” being the most used. She is a goddess of war and justice, but also love and sensuality. In Mesopotamian religion, Inanna came to be identified with the goddess Ishtar, although it is unclear as to whether Inanna is also of Semitic origins or if the two became conflated due to their similarities.
A Sumerian hym tells the story of Inanna’s visit to a magical palace called kur, and her desire to eat a sacred fruit of knowledge. When her brother relents, she eats the fruit, giving her the awareness of her own sexuality.
She is featured in the Epic of Gilgamesh, the world's oldest epic poem written around 2100 BCE. In this story, Inanna proposes marriage to Gilgamesh, the king of Uruk, counter to the courtship norms. When Gilgamesh refuses, she lashes out and sends the Bull of Heaven to kill him. Gilgamesh and his friend Enkidu kill the bull, but Enkidu dies as punishment, and this leads Gilgamesh on his quest for immortality.
Even more ancient is the tale of the “Descent of Inanna,” where Inanna visits her sister in “the great below”, who is grieving the death of her husband at the hands of Inanna herself. To get to the Underworld, Inanna must pass through seven gates, each of them stripping her of her symbols of power and protection. When she arrives, Ereshkigal kills Inanna and hangs her on a hook for 3 days. Inanna is revived by the god Enki, but in order to get out of the underworld, she must trade places with her husband.
What can we learn from Inanna?
Within the mythology of Inanna, we find the archetypes of other divine female deities: Eve, who eats the forbidden fruit and comes to know “sin”, Persephone who journeys to the underworld and returns with the cycles of nature, and Venus, the evening star who embodies sensuality and female pleasure.
The mythology of Inanna is one of the oldest records of a female figure seeking divine knowledge for herself and embracing sex and sensuality outside of the patriarchal norm. As a goddess of love, she helps us to embrace and fulfill our own desires, and to connect and build intimacy with others and ourselves.
Inanna’s sense of personal power and sovereignty recommends her to those seeking to build self-confidence, or those who feel trapped or controlled. Her support is also ideal for self-discovery and celebration. It is well documented that many priests of the cult of Inanna were androgynous men or two-spirited. As a result, modern, queer pagans may be called to work with Inanna.
Inanna is a fascinating study in the divine feminine archetype. As one of the oldest recorded literary heroes, she reaches out to us across millenia, and her gift of personal sovereignty certainly speaks to us today.